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Archit.

from Archit. by Mus'c

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Archit.
建築

The time signature stream of this work is 19/16 (9/16+10/16), 19/8 (5/8+5/8+5/8+4/8), 6/8, slow 4/4, and then moving back to 6/8, 19/8, and finally to 19/16. The beats seem irrational but auditory, sounds very natural.
This work reflects a kind of existential conceptual interpretation on material changing the “Architecture” that has been rusted, soiled, cracked, and forgotten its artificial heterogeneity by time and weather..., by using music as a Programming paradoxically. A motif quoted the first track “Pre-fabrication” but also conceivably the prospection of this work could be a ‘pre-fab’ into the first.

本作の拍子は19/16 (9/16+10/16) にはじまり、19/8 (5/8+5/8+5/8+4/8)、6/8、中間部にスローな4/4をはさみ、6/8、19/8、19/16へ移る構成。不合理にみえる拍子だが、佇まいはきわめて自然にちかい。
時間と空気によって、さびれ、よごれ、ひびわれた「建築」の物質変化が人工的異質さを忘失してゆく一種の実在論的解釈を、音楽をして、「DTM」として反照させた、コンセプチュアルな作品である。アルバムの一曲目の作品のモチーフが引用されているが、あるいは、本作の試掘が一曲目に「プレハブ」をなしたのかもしれない。

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from Archit., released October 25, 2020

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Mus'c / Yuga Soma-Uéno 上野悠河 Chiba, Japan

Mus'c / Yuga Soma-Uéno
上野 悠河

Mus'c, started his career as a musician in 2019. Focusing on jazz, progressive, contemporary music and electronics, etc. He creates
difficult and sensitive works by applying the programming music structure that is traditionally music that makes music.
His real name, Yuga Soma-Uéno, is also active as an artist in contemporary art.
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