Archit., by Mus'c

Archit.

by Mus'c

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1.	Pre-fabrication 03:40	info	buy track
2.	Kōfū, The Music to an Imaginary Septet 05:13	info	buy track
3.	Bagatelle de l'horizon 02:14	info	buy track
4.	Realize after Losing 05:10	info	buy track
5.	Asayake Plateau 02:18	info	buy track
6.	Re-birdification 05:47	info	buy track
7.	Archit. 12:41	info	buy track
8.	Post-rain 02:34	info	buy track
9.	Nocturnes flasques <pour un génital> 06:15	lyrics	buy track
At night 黒布に覆われてかすがいの外れた寝室で名付け難い何かにも追われて夢のあとにたそがれて刃は心臓を目指す 1センチメートルのセンチメンタル身体はひとつしかないと眼も耳もロストしたのかも In autumn, fall into the dark 冷えゆく末梢は綻ぶ苦しみ　痛みの後に　グロテスクに孤独なファルスとともにただすきっとした夜空よどんだ僕とのかりそめのノクターンさそう、どうしたらいいのか… 街はとうに闇夜のランタンを掲げたなびかせナツメ球の灯りは暗示させる秘匿のメタファー I restore myself when i'm alone, may be そうはいうものの俺のなかにいる僕を殺して流行りたければ流行るビートコード歌詞にすればいいのさモテたければモテる顔と声とただ仕草すればいいのか認め認められの億千万のプラトー探すためには依存保存既存の生存のグレーゾーン …モノクロの二階調－孤独に近い何か－それは孤独とはいわない－身体時な男性だ－精神的には男性ではない？－風呂に入るときは－嫌でも自分の陰部をみることになる－・・・－それが悲しいのか？－男性主義的ではないか。－本能に背くことはできまい－背中から瘴気の翼が生えるような－よくわからないジレンマそう月の夜に吠える狼をうちにたたえながら静かに目を閉じぶよぶよとしたものを保存してぼくはわたしは黙ってピアノを弾く－－－ At dawn 黒いもやに覆われてかすみがかる地平線の彼方へ名付け難い何かをも抱えて夢のあとにたそがれて足取りは楽園目指す数十メートルのセンシティヴィティ身体はひとつしかないと眼も耳もロストしてたんだ！ (In autumn, fall into the dark) 冷えゆく末梢は綻ぶ苦しみ　痛みの後に　グロテスクに孤独なファルスとともにただすきっとしたサンライズよどんだ僕と世界に永遠にさらばさどうしようもない現実逃避に歪みまくった聖母もとめるのさひとつひとつの記憶ちぎり命を契り静然に終焉に刹那に… 手を差し伸べたのは？

about

Thinking about the inevitable temporal and material misalignments, even if these are not written on the blueprint, i.e. rust, dirt, cracks, etc., suggesting natural and organic conceptions of the architecture. In “Archit.”, Mus’c tried to embed a paradoxical disconnection in DAW that is esquisse of programming music that ‘creates perfection’.
While one might think of Church Music and the works of Iannis Xenakis in relation to music and architecture, but this album is particularly inspired by Daniel Libeskind (an architect) and Wade Guyton (a leading American post-conceptual artist).
“The music does not speak eloquently”, and therefore the a priori imaginary music most of which was programmed by Mus'c via Apple's Logic Pro insists the invisible/imaginary architecture.

建築、その設計図に書かれずとも必然な時間的・物質的誤差、つまり錆び、汚れ、ひび等に自然な有機的観念を示唆させると考えた上で、それとは対照的な「誤差ゼロをつくり得てしまう」DAW、プログラミング・ミュージックのエスキースに如何に「切断」を埋め込めるか試みた、Mus'cのデビュー作品集である。
音楽と建築の関わりに教会音楽やヤニス・クセナキスの作品群を思い浮かべるかもしれないが、このアルバムではとくに、ダニエル・リベスキンド (建築家) やウェイド・ゲイトン (アメリカ・ポスト・コンセプチュアルを代表するアーティスト) にも影響をうけて作られた。音楽は雄弁に語らず。ゆえにア・プリオリな想像上の音楽 (そのほとんどはApple社のLogic Proを経由してMus’cの手によって構築されている) は、不可視の建築と等しく主張する。

credits

released October 25, 2020

Mus'c / Yuga Soma-Uéno　ムスク / 上野悠河
All, produce, programming, recording, mix, master, design and publish

Chihaya Okunishi　奥西千早
Cover art-work painting (japanese painting, on Washi paper, panel)

Archit. 2020

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about

Mus'c / Yuga Soma-Uéno 上野悠河 Chiba, Japan

Mus'c / Yuga Soma-Uéno
上野悠河

Mus'c, started his career as a musician in 2019. Focusing on jazz, progressive, contemporary music and electronics, etc. He creates
difficult and sensitive works by applying the programming music structure that is traditionally music that makes music.
His real name, Yuga Soma-Uéno, is also active as an artist in contemporary art. ... more

yugaueno.zohosites.com

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